Kaiki Shoku

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Kaiki Shoku (Eclipse)

June 2 – 12, 2005
Theatre Off Jackson
Seattle, Washington

Kaiki Shoku (Eclipse) is a multi-media performance work based on the story of Suga Kanno (1881-1911), the first female political prisoner executed by Japan in its modern history.  Kanno, a journalist, feminist and anarchist, was a passionate advocate for the rights of women and the poor in a very circumscribed society.  She became a key figure in the Great Treason Incident of 1910 in which the Japanese government rounded up political dissidents and put them on mass trail for plotting to assassinate the Meiji Emperor.  The only woman among the dozens accused, Kanno remained unrepentant and defiant to the end, becoming a controversial, misrepresented and marginalized figure.  The piece is based primarily on the only surviving fragment of Kanno's prison journal which covers the last week of her life.  In it she discussed not only her trial and beliefs, but also her regrets, hopes and dreams.  Along with information gleaned from other sources, both pro and con, the piece depicts the journey of an ordinary woman who followed an extraordinary path.

Combining dance, theatre, film, and live music, Kaiki Shoku contrasts dreamy mythology with harsh reality as the turbulent milieu of the Meiji era (1868-1912) is interwoven with the legend of Amaterasu, the sun goddess believed to have created Japan (and claimed by Emperors as a direct ancestor).  Drawing on a variety of influences, including Japanese performance styles ranging from ancient rituals of the miko (female shamans) to the modern expressionism of butoh, the piece mirrors how Japan phased from an ancient matriarchal society to a turn-of-the-century monarchy/bureaucracy where women were kept from power by law.  Kaiki Shoku (Eclipse) is the second in a quartet of performance works by AJE focusing on Asian women marginalized by history and society. 

Suga Kanno (1881-1911) was a journalist and radical activist who became the first female political prisoner to be executed in Japan's modern history – for plotting to assassinate the Emperor.  By all accounts she had a difficult life as poverty, illness, violence, isolation, and the general lack of opportunities for women shadowed her.  However, rather than give up, she resisted and struggled to survive.  Her story reveals a searching mind and restless spirit.  She became infamous in her time for being the only woman, and chief instigator, among the defendants in what became known as the Great Treason Incident trial.  Until recent years her story and image have been defined by her relationships with better known men.  Although she has been dismissed as an aberration, she was very much a woman of her time – the Meiji era – a time of great social, political, and cultural change as Japan began to take its place in the wider world.

In Japanese mythology, the most important deity is the sun goddess Ameterasu, the most beautiful and radiant being who fills the darkest air with light and brilliance.  Some of the best known tales involve Ameterasu and her rivalry with her brothers Tsukiyomi, the coolly radiant moon god, and Susano-o, the impetuous storm god.  In one story, Tsukiyomi killed a goddess sent by Ameterasu to feed the people.  From then on, Ameterasu refused to look at her brother, and so the sun and moon became separated by night and day.  In the most famous tale, Ameterasu was involved in an altercation with Susano-o, who in a jealous fury destroyed much of Ameterasu's domain.  In anger Ameterasu shut herself away in a cave, cutting off sunlight to the world.  In an effort to lure her out, the other gods sent Uzume, the goddess of mirth, who tried coaxing her out with jokes and wild dancing.  Curious, Ameterasu emerged, and the world became bright and warm again, and life returned to it

Production

 

William Satake Blauvelt

Writer, Director, Producer

Yoko Murao

Choreographer

Mark Baratta

Lighting Design

Esther Sugai

Musical Director

Susie Kozawa

Sound Design

Kikuko Dewa

Costume Design

Naho Shioya

Dramaturg

John D. Pai

Set Design

Rachel Rene

Stage Manager

Frank Phillips

Tech Operator

Anna Curtiss

Assistant Stage Manager

Christian Swenson

Fight Choreographer

Tracey Melville

Photography

Richard I. Nagy

Graphic Design

Performers

 

Naho Shioya

Suga Kanno

d k pan

Ameterasu

Michael J. Perrone

Prosecutor Taketomi

Mary Cutrera

Tsukiyomi

Mizue Trinidad

Shamaness, Hideko Kanno, Feminist Speaker, Uzume

Sam Tsubota

Kanson Arahata, Shusui Kotoku, the Miner, Socialist Speaker

Marie Broderick

Susano-o, Stepmother, Christian Reformer, Demonstrator

Musicians

 

Michael Shannon

Erhu, dilruba, bass, shenai, rhiata, harmonium

Esther Sugai

Flutes, clarinet, melodica, accordion, lu sheng, percussion

Susie Kozawa

Kelp horn, overtone singing, sound toys, objects and inventions

Marcia Takamura

Koto, shamisen, biwa, percussion

Stan Shikuma

Taiko, percussion, conch, sho, lead vocals

Dean Moore

Drums, gongs, cymbals, percussion

One World Taiko (Gary Tsujimoto and Nancy Ozaki)

Taiko, clarinet, lu sheng, percussion

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Last updated: 12/28/06.